Summper Camp- Round the Moon

Even if you don't like the music, the video is worth a watch. They have mashed together a Swedish film from the 80's called 'A Swedish Love Story' to great affect. Looks brilliant....

Bonnie & Clyde Elise Digby by Aram Bedrossian

Ollie Edwards and Elise Digby photographed by Aram Bedrossian in the crime filled story of Bonnie and Clyde. Styled by Carissa Cirino, the outlaws wear vintage style ensembles featuring designs from the likes of Prada, Ralph Lauren and Paul Smith.

The Naked and The Famous

I predict them to be 2011's Temper Trap. The Naked and the famous hail from New Zealand and have some cracking tunes. One of which was featured on The Vampire Diaries series 2. They are about to start a tour, and thank the lord they have some UK dates, one of which I will be at I am sure. There album Passive Me, Aggressive You has some really good songs on it, specifically Young Blood, which is also accompanied by a lovely video. Check these out....




I also LOVE this one...

The Tourist

Having just watched The Tourist, all I can say is poor movie, but some nice outfits and locations.  I am ofcourse referring to Johnny Depp and Angelina Jolie's new film. With 3 Golden Globe nominations I was quite disappointed. The backdrop of Venice was beautiful, and myself having visited recently it was nice to see all the sites again. And it has to be said Angelina did look rather spectacular in some 1950's inspired outfits, nipped in waists and elbow length gloves.
  But in general I would say the plot is very easy to guess, and when you do realise the ending...it sort of spoils the whole film.  It's worth a watch if you have nothing else planned. But I wouldn't go out of my way to see it.

Not so classic Christmas song - It's Christmas So We'll Stop by Frightened Rabbit

It Happened One Night - Daria and Jake Gyllenhaal

From US Vogue,  July 2004. Yes it's been out a while but with Mario Testino taking the pictures and and the gorgeous Jake Gyllenhaal modelling, you can't go wrong.  

A SCOTTISH REBELLION

Sonic adventurous The Twilight Sad fly the flag for the new breed of Scottish bands.  Vocalist James Graham tells Catherine Hill why they are not in the music industry for fame.

   “Scottish and noisy,” is how the Twilight Sad describe themselves. Emerging from the shadow of Idlewild and Biffy Clyro, they reject apologetic Scottish mumbling in favour of cacophonous drone-rock and eye-watering instrumental aggression.

   The Twilight Sad comprises of James Graham (vocals), Andy MacFarlane, (guitar/accordion/noise), Johnny Docherty (bass), and Mark Devine (drums). Forming in 2003, the Scottish foursome’s early shows saw them creating half-hour pieces of music with effects pedals,  thumb pianos, computer games and various other ephemera alongside bass, guitar and drums. Their unique and experimental sound evolved into more traditional song writing, yet their taste for sonic adventure is still apparent.

   Whilst undergoing this metamorphosis the band went into Ca Va studios with Peter Katis (Interpol, Mercury Rev, Mice Parade) and emerged three days later with their first album; ‘Fourteen Autumns and Fifteen Winters.’ Named the best album of the year by The Skinny, it more than lives up to the bands early EP’s.  Despite being grouped together with label mates We Were Promised Jetpacks and Frightened Rabbit, The Twilight Sad’s sound is distinctive and transcendent. Their debut album showed intricate layering and overdriven instrumentals yet still maintained raucous warmth.

   Influences range from Portishead to Radiohead to fellow Scots Mogwai. “I think our good friends Mogwai have done everything the right way. They have worked hard to get where they are now, have consistently pushed themselves and released great albums.  I respect bands who push themselves and try different things,” praises Graham.

   ‘Forget the Night Ahead’, their second studio album displays darker lyrics and a sound racked with emotion. The songs fall into two categories; crushingly loud from the jump or slowly and steadily building to an almost uncomfortable intensity. They themselves describe their sound as “Scottish folk songs mixed with noise and elements of punk and post rock.”

  Graham describes the audience at their gigs as “middle age males and angry young men.” Angry is the perfect word to describe their music. If you can understand the lyrics behind James Graham’s roguish Scottish drawl you’ll hear of bitter experience and romantic failure. “I’ve been in love and can only write about my own experiences. I don’t think I am too experienced but I have been hurt and hurt other people so I know both sides of the argument,” explains Graham.

  Comparisons are undoubtedly going to be made with other Scottish groups, but The Twilight Sad are distinct and inimitable. However, Graham embraces the influence growing up just outside Glasgow has had on the band “I think if we weren’t from Scotland we wouldn’t sound the way we do. I think it has had a subconscious effect it’s not something that we knowingly play on it’s who we are and our songs are honest.” The Twilight Sad would not be the band they are without Graham’s unmistakable accent, he proves that everything sounds cooler with a Glaswegian twang.

   It’s when performing live that The Twilight Sad truly shine. Graham’s confidence behind the microphone has grown, now singing with a pre-battle emergency making for an extreme live experience. “The expectation from other people sometimes makes me nervous,” explains Graham. The band like to have a contrast between their albums and playing live. Their studio work utilises many more instruments than their live shows. They keep it simple yet don’t loose any of that devastating intensity. “I don’t like going to see a band that sounds just like their album. That’s what we try not to do,” says Graham.

When asked what he misses when touring Graham does not hesitate “my bed, my cat, my girlfriend, my family and Irn Bru.” The band has toured a lot in America as well as Europe “I don’t prefer European or American tours anymore than each other. It’s just great to be able to do them. Our audiences are very respectful no matter where we go to be honest” adds Graham.

  Their tours have left them with an abundance of anecdotes, Graham recalls one of the more memorable ones “We left our drummer at service station in Arizona at 5am in the morning and didn’t realise until two hours down the motorway. It was like something out of that film Almost Famous.”

   Currently touring with Scottish giants Biffy Clyro, The Twilight Sad will be performing in some of their biggest arenas to date, touring the country and ending in London at the Hammersmith Apollo. Also in the pipeline for this year is more touring, recording a new album and a charity album that Graham is involved in with other Scottish artists. “I just really want our band to be successful by doing it the right way and if we are happy and people still buy the records and come to the shows then we will know we are doing something right” tells Graham. The current tour promises to serve up a sundry plethora of “travelling, service stations, interviews, sound checks, drugs, drink and meeting people for five minutes then off to the next town,” declares Graham.

      Festivals are a major part of any emerging bands life; they can make or break you. Graham reveals “I would love to play at an ATP festival as all my favourite bands have.” On the subject of festivals Graham gives simple advice on how to survive them; “drugs and a lot of them!” Grahams favourite festival however, is not what you might expect “End of the Road,” and why? “They have a pie minister and the best hot brandy cider!” Seems as good a reason as any. Touring the festivals can be an arduous task; dirt, tents, hangovers, more drugs and of course crazed fans.  So far The Twilight Sad have only had good experiences with their audiences “our fans are very respectful and give us our space,” says Graham.

 “If you can’t handle fame get out of the limelight I say,” declares Graham “but I also get the feeling it’s like a drug that you just want more of.” Grahams feelings on fame and success are simple “I just want people to come to our wee gigs and buy our records and maybe if we are lucky, the odd t-shirt, we don’t want to be on the front of papers or magazines.”

   “I never had any expectations, I just want to make music for a living and at the moment that’s happening which is amazing and a privilege because there are so many bands out there trying to do the same” reveals Graham. Unpretentious and unaffected, this band will not be sacrificing their tumultuous sound for commercial success. Instead, they are slowly but surely raising their profile by touring festivals and venues around the world. An aim for the band is to headline at The Barrowlands, one of Glasgow’s bigger and more famous venues “we played there supporting Idlewild but to headline that venue is a big thing and I think we will do that at some point in the next year or next,” says Graham.

  “I think most stuff in the charts is pish,” tells Graham, also revealing a penchant for Abba “quality pop music!” When asked if there are any songs in the charts he likes, Graham gives a shocking answer; “Telephone by Lady Gaga or Rude Boy by Rihanna.” Perhaps not what we expected from this sharp-tongued Scot. James Graham isn’t afraid to say what he thinks even if it means revealing a slightly schizophrenic personality. But it’s these schizophrenic tendencies that make the band what it is; portentous and romantic, thunderous yet sentimental.

   Their metaphorical and emotional lyrics stay clear of political messages “ there are some bands out there who think they have a big opinion on it but don’t have the knowledge or qualifications,” Graham sticks to what he knows; “my family and friends.” This is not to say that Graham is not an intelligent man, he is quick-witted and shrewd. It’s no wonder his idol is one of the most intelligent characters from Marvel comics; “Tony Stark AKA Iron Man.”

    What does the future hold for The Twilight Sad? “I would like to be where bands like Mogwai are in a few albums time. Where we are respected and selling out good sized venues,” muses Graham. Not a band that wishes for chart success and fame, The Twilight Sad have a simple plan; “make quality albums and tour our arses off.”

Time and a Place, Innit?

   Shakespeare’s slang was seen as innovative and clever, but today’s ‘TeenSpeak’ has been receiving a bad review. With the youth struggling to put a sentence together without the use of slang, the older generations have their concerns for our great English language.  

  The Oscar winning actress, Emma Thompson has recently waged war against ‘TeenSpeak’, following a visit to her old school. Where she was driven ‘insane’ by an increase in sloppy English and slang.  She said: “I told them, 'Just don't do it. Because it makes you sound stupid and you're not stupid."

   Having an English teacher as a parent, I was raised to talk properly and to leave out the “innits” and “minging.” And although I am barely out of my teen years I find poor English just as annoying as Ms Thompson. I have even begun to delete people from my Facebook account for their barrage of comments and status’ that take longer to translate than it is worth. My main irritation is when people use words or phrases that are equal to or longer than the proper vernacular, for example "woz" instead of “was.” This poor English is spreading fast, thanks to the web and mass media. Text language has become a part of everyday life, with programmes like ‘Gossip Girl’ celebrating it.

    Some argue that slang demonstrates inventiveness and quickness of thought and it cannot be ignored that Britain's top writers have been playing with slang for centuries. In the process, they have helped to add thousands of new words to our vocabulary. Shakespeare helped popularise slang words such as nervy, rancorous, puke, assassination and sanctimonious. Slang is seen to many as a progression of our language and The British Library seems to agree, with its upcoming exhibition on Evolving English. Slang can also be seen as a sophisticated attempt to communicate in a semi-private language, only a step removed from Wittgenstein's "private language". Children use it to exclude adults and include their friends, all groups generate their own language to some extent.

    However, Slang alone will never be enough. Although it may bring interest and a youthful edge to your work or speech, it must be mixed with proper English to avoid looking foolish. It seems now though that young people are increasingly unable to establish when the use of slang is appropriate. The youth of today is leaving school ill-equipped to communicate in the wider world. Recent research revealed that some teenagers are becoming unemployable because of a limited a working vocabulary of only 800 words, consisting of made-up words and ‘teenspeak’. This laziness of speech leaves the prospective candidate looking illiterate and dim.

     Emma Thompson said: “There is the necessity to have two languages - one that you use with your mates and the other that you need in any official capacity." And I must agree. Everyone should know how important it is to spot when slang is inappropriate.  Of course, there is a place for modern slang. Language, by nature, is dynamic and it should not always be formal. Intelligent communication requires adjustment of speaking style according to the situation.

Conclusion : Keep slang out of da workplace an in de yard. 

Globe Trotter - Channel your inner adventurer . Embrace the outdoors with chunky knits, faux-fur edging and vibrant patterns.

Channel your inner adventurer . Embrace the outdoors with chunky knits, faux-fur edging and vibrant patterns.

 

Mix cultures and fabrics for this Winter’s warmest trend. Think layered swathes of intricate knits, geometric shapes and a myriad of exotic accessories. 

  As Orson Wells once said “There are only two emotions in a plane:  boredom and terror.” But this kind of travelling doesn’t involve flights, though a trip to Oxford Street may be in order. It’s time to embrace the carefree, comfortable and cultural. Release your inner Nomad. Taking inspiration from North Africa, central Asia, the Middle East and South America, this season is the time to embrace the fusion of western and eastern influences.   

  This boho-esque look is often visited in Spring/Summer, but layering with snug soft fabrics, is so apt for the bitter Winter months. Try Mathew Williamson’s wool brushstroke  print scarf to keep the winter blues away.

   The catwalks of Missoni, John Galliano, Rodarte and many more were awashed with the heavy layering of luxurious fabrics; cashmere, alpaca and camel hair. Anna Sui and Kenzo offered a bevy of colorful prints, slouchy silhouettes and elegant draping. They brought together a fusion of western and eastern influences with luxurious silks and woven knits.

   Playing with patterns and textures is an integral part of this relaxed silhouette. Think bright blue, deep red, burnt yellow, and warm neutrals, and make a stand against the all too obvious winter palette of black and gray. Ethnic prints, tie-dye, fringing, beads and feathers juxtaposed beautifully with geometric shapes make for a thoroughly modern look.

  The life of a traveler can be hard on one’s feet, but keep your precious toes warm and protected from the cold British rain in Carvela’s Shelly faux-fur hiking boot.

  If you really want to commit to the look, why not make like Phileas Fogg and travel the world in 80 days? With roundtheworldflights.com you can book trips with 4 – 11 destinations for a truly tremendous trip. 

   To avoid looking like you bought far too many souvenirs back, be selective about what you mix. If you are not so daring try DKNY’s colour block knit cardigan

with some tight fitting jeans and a bright print top and swap your Uggs for a pair of Minnetonkas. Or release the inner Janis Joplin in you, and put your Sandro jacket with a fur hat and put a ring on each finger. You know you got it, child, if it makes you feel good.

 Images from Harpar's Bazaar

Wild West for Vogue Paris

 Abbey Lee Kershaw, Crystal Renn and Eniko Mihalik go west for the latest issue of Vogue Paris. Terry Richardson presents the three models as outlaws of the wild west. Julie von Boehm dresses the bad girls in sequins and lace. An amazing shoot I am sure you will agree.

MARC JACOBS SPRING/SUMMER 2011 CATWALK REPORT

MARC JACOBS’ Spring/Summer collection was a love letter to 70’s New York; big hair, tiny shorts and lashings of hedonism.

  

   The models glided around a giant wall of curved burnt gold, whilst Vivaldi’s “Summer” in G minor floated on the air, a surprising and provocative choice of music, given the collection. The Lexington Armory was alive with the spirit of the liberated Seventies.  Newcomer Luisa Bianchin, was the first model to emerge from the cylindrical structure, with a mass of red frizz resting on her shoulders. Wearing an Eastern-inflected coat in a terracotta orange print, with belled sleeves and bow belt over a calf length violet skirt and a corsage in her hair, she set the tone for the vibrant show.

   Think Saturday Night Fever, Jerry Hall and Bianca Jagger.  Jacobs’ captures the spirit of the decade of disco. Heavily influenced by Yves Saint Laurent, he cited the New York Dolls and Antonio Lopez as inspirations. Essentially, this collection is a celebration of everything that made him fall in love with the industry.

  Jacobs’ put the fun back into fashion with a handful of key larger-than-life pieces, overgrown corsages appeared in the hair, on the shoulder, at the waist and at the throat. Touches such as the enormous straw hats with the rims turned back, a la Jodie Foster in Taxi Driver, made the collection playful yet glamorous.   

  In homage to YSL, the catwalk was awash with suits. From a cropped butterscotch satin jacket and matching hot pants, to a sorbet pink satin suit with flared trousers, Jacobs’ presented a delicious selection of tailoring. 

   Focus was on the legs, with tiny hot pants and floaty dresses with slits high enough to show the models co-ordinating knickers. The shoulders also made a play for this season’s erogenous zone, with flesh-baring halter-necks, bandeaux and one-shouldered style dresses and jumpsuits.

    The big trend that shone through is...BIG. The whole collection is over-the-top and lavish. Puffed sleeves, wide-legged trousers and voluminous calf length skirts gave the show a histrionic and nostalgic feel. Electric orange, rich plumb and a multitude of eastern spices made up the luxuriant colour palate, a stark contrast to his Autumn/Winter collection of muted and serene neutrals.  

   As ever, Jacob’s accessories did not disappoint. The models floated on glitter-dusted platform sandals, and clutched in their hands structured, envelope flap handbags in maroons, mustards and mauves.

       The hair was so voluminous, Farah Fawcett herself would be proud. Models sported shoulder-length frizz, or more cropped neater curls, both of which would look at home in Studio 54. NARS presented a smoky emerald eye and lips were stained with a selection of berry shades in Volga Pure Matte Lipstick. Bleached eyebrows accentuated the dark eyes for a theatrical appearance.

      Jacobs’ takes the Seventies vibe that has been infiltrating the catwalks for the last few seasons and makes it sexy. With sensuous chiffon, billowing skirts and vivid colours, this collection offers a delectable array of fun yet wearable pieces. Dust off your Bowie and your Bee Gee records, the Seventies are back...Marc my words. 

Burberry @ LFW

As British as a Sunday roast, leading heritage brand Burberry’s show at LFW was the hottest ticket in town .  Not just reserved to native stars, A-listers included SJP and the illusive Anna Wintour with her signature blow-dried bob and dark sunglasses sat front row for Bailey’s trench-coat extravaganza.  Successfully reinventing the classic coat, the S/S collection took a biker-chick direction with black quilted leather and raised collars.

   The show also featured cropped silver leather jackets with spray on silver trousers to match. Menacing gold spikes and towering platforms gave the brand a new hard edge. Many models opted to carry their heels, as they walked down the catwalk, however model Nina Porter suffered a dramatic fall.

   For a very traditional company, Burberry set the trend for innovative marketing this year. Shoppers were able to place orders via an IPad application as soon as the models hit the runway. Bailey’s acoustic and calming choice of music is also now available to download from ITunes.

LFW STREET STYLE

Name – Andrea Wilmot

Website - www.ah-mazing.it or www.andrea-merlot.blogspot.com

 

He wears – AH-MAZING by Julia Winkler

  Walking through the arches of Sommerset House, his fine leather coat flowing behind him, I knew I could not let this man get past without snapping his rebellious and unique look. With undertones of apocalyptic cinema and almost fetishist aesthetics, this golden haired statuesque figure could not help but catch ones eye. Andrea mixes industrial themes with flowing wearable fabrics for an alluring androgyny. Moody, experimental yet accessible, he exudes the “London cool” exterior so many strive for. The studding on his combat boots, the harem trousers and the robe like t-shirt make for a dystopian feel but provide comfort and ease of movement. An ambassador for this brand, he keeps a muted pallet and mixes materials for a grungy and futuristic feel.

BACK TO BLOG

Wow long over-due but I am back and will be blogging regularly so keep checking in! Now in my second year of uni studying Fashion Journalism, so I should have many tantalsing stories to write about. My first will ofcourse be about London Fashion Week. I am living in London now so I couldn't help but swing by Sommerset House and check out the outfits and celebs!

The Lightning Seeds

The Lightning Seeds The Lightning Seeds are a Liverpool (England) based group. Lead singer, guitarist and main song writer Ian Broudie is a legend. Sadly, they are probably best known for a football song "Three Lions." The reason I got quite into them though was an episode of The OC. It's a pretty good episode for music and just in general. Anyway, the songs speak for themselves. The one above is from The OC, it's called "Song For No one." Love it.

Peter Lindebergh